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Departures in Critical Qualitative Research

poetry

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    Our Legacy Needs To Be BetterNotorious White Responses after Ed Mabrey's Poem “The Libretto of the Opera: Death of a Black Boy”
    Miranda Dottie Olzman
    Winter 2018, Vol. 7 No. 4, (pp. 187-191) DOI: 10.1525/dcqr.2018.7.4.187
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    New, Sound, and TightA Response to Rachel N. Hastings's Poem “Black Human”
    Patricia A. Suchy
    Winter 2018, Vol. 7 No. 4, (pp. 171-175) DOI: 10.1525/dcqr.2018.7.4.171
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    #flyingwhileblack
    Imani Cezanne
    Winter 2018, Vol. 7 No. 4, (pp. 153-155) DOI: 10.1525/dcqr.2018.7.4.153
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    Sterilized by GriefThe Death of My Brother and the Choice to be Childless
    Sarah Pennington
    Spring 2016, Vol. 5 No. 1, (pp. 37-50) DOI: 10.1525/dcqr.2016.5.1.37
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    Set Apart
    Jason Burnett
    Fall 2015, Vol. 4 No. 3, (pp. 16-26) DOI: 10.1525/dcqr.2015.4.3.16
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    Opening Gates and WindowsThe Ethics and Aesthetics of Making a Documentary-Poem
    Paola Bilbrough
    Fall 2014, Vol. 3 No. 3, (pp. 298-313) DOI: 10.1525/dcqr.2014.3.3.298
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    Staging Textures
    A.B., Nico Wood
    Winter 2013, Vol. 3 No. 2, (pp. 176-181) DOI: 10.1525/dcqr.2014.3.2.176
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    Composing Ruin
    A.B.
    Winter 2013, Vol. 3 No. 1, (pp. 6-75) DOI: 10.1525/dcqr.2014.3.1.6
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